India is blessed to have two great classical
musical traditions - North Indian (Hindustani) and South Indian
(Carnatic) music. These two traditions, although identical in theory
have evolved separate styles.
Sabyasachi plays the sarod in the North Indian style of music.
This style is highly improvised and is based on the raaga system.
Raagas represent moods and are often associated with seasons and
times of the day.
A
typical raaga elaboration will start off with a leisurely Alaap (or
introduction) followed by compositions increasing in speed and set to
various rhythmic cycles (taals) played on the tabla. The rendition
usually ends with a highly energetic crescendo (jhaala)
For a more technical introduction to North Indian classical music, pls see the Wikipedia entry
Sabyasachi
believes that the essence of Hindustani music is the emotion brought
out in the raagas. While dazzling technique can be quite pleasing, it
should never overshadow the heart of the raaga.
Sabyasachi's
compositions are often vocal compositions adapted to the sarod. These
tend to be very well known compositions which are regarded as
masterpieces. He constantly attempts to adapt more of these gems
to the sarod - a lifelong pursuit. |